片名：镜子的另一面：纽波特民歌艺术节1963~1965第01集

《镜子的另一面：纽波特民歌艺术节1963~1965》Murray Lerner拍的这部综艺，什么时候公映啊

《镜子的另一面：纽波特民歌艺术节1963~1965》高清欧美综艺综艺完整版http://www.rhjyw.com/jyw/190276-0-0.html

制片地区： 美国

导演： Murray Lerner

编剧： Murray Lerner

主演： Bob Dylan,Joan Baez,Judy Collins

上映时间： 0

对白语言： 汉语普通话 / 英语

色彩： 彩色

更新时间：2023-05-19 12:16

《镜子的另一面：纽波特民歌艺术节1963~1965》是根据一个真实故事改编的，那《镜子的另一面：纽波特民歌艺术节1963~1965》故事的大致内容是怎样的?？

　　"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

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《镜子的另一面：纽波特民歌艺术节1963~1965》豆瓣评分多高？

《镜子的另一面：纽波特民歌艺术节1963~1965》目前评分：5.0

《镜子的另一面：纽波特民歌艺术节1963~1965》是什么类型的片子

《镜子的另一面：纽波特民歌艺术节1963~1965》该剧剧情紧凑，《镜子的另一面：纽波特民歌艺术节1963~1965》故事曲折，重要的是Bob Dylan,Joan Baez,Judy Collins演技精湛毫不含糊，导演Murray Lerner也没有设计浮夸的造型和飘忽玄幻的人设。《镜子的另一面：纽波特民歌艺术节1963~1965》自上线以来，前两集让很多抱着看大尺度欧美综艺心态的观众没有失望,《镜子的另一面：纽波特民歌艺术节1963~1965》是一部绝佳不可错过的欧美综艺

《镜子的另一面：纽波特民歌艺术节1963~1965》值得看吗,有哪些看点?

引言：《镜子的另一面：纽波特民歌艺术节1963~1965》这部欧美综艺全程高能，《镜子的另一面：纽波特民歌艺术节1963~1965》播出后立马收获了一大批忠实剧迷，这部剧也成为了Bob Dylan,Joan Baez,Judy Collins的成名作。就小编来看，《镜子的另一面：纽波特民歌艺术节1963~1965》这是一部非常值得大家去追的欧美综艺。《镜子的另一面：纽波特民歌艺术节1963~1965》这部欧美综艺以生动的人物形象和极尽细节的刻画，《镜子的另一面：纽波特民歌艺术节1963~1965》看点一、前期剧情不错，剧情节奏不拖沓。《镜子的另一面：纽波特民歌艺术节1963~1965》看点二、《镜子的另一面：纽波特民歌艺术节1963~1965》拼的是高度还原与纪实。

《镜子的另一面：纽波特民歌艺术节1963~1965》有哪些槽点？

《镜子的另一面：纽波特民歌艺术节1963~1965》这部剧的题材是一部欧美综艺，但是《镜子的另一面：纽波特民歌艺术节1963~1965》这部剧给大家的整体风格却是一部喜剧，丝毫没有一部欧美综艺的感觉，这也是大家吐槽的第一个地方，先不说这部剧《镜子的另一面：纽波特民歌艺术节1963~1965》的主演Bob Dylan,Joan Baez,Judy Collins的演技如何，光光看《镜子的另一面：纽波特民歌艺术节1963~1965》这部剧的逻辑和节奏，就丝毫没有一部欧美综艺的感觉，《镜子的另一面：纽波特民歌艺术节1963~1965》剧中最大的一个特点就是剧情过于套路化，好像所有的情节都是按照《镜子的另一面：纽波特民歌艺术节1963~1965》剧本的发展一样，丝毫没有创新，这也与本剧的导演Murray Lerner密切相关的。一部好的欧美综艺应该有一个优秀的导演导演可以让这部剧的情节跌宕起伏，激发观众的观看兴趣。同时这部剧在开播之前也没有进行大方面的宣传导致观众对这部剧的了解非常少，《镜子的另一面：纽波特民歌艺术节1963~1965》的热度也因此不断下降， 一部优秀的欧美综艺尤其是像《镜子的另一面：纽波特民歌艺术节1963~1965》这样热度非常高的欧美综艺系列不应该过度地注重主角，而是要注重《镜子的另一面：纽波特民歌艺术节1963~1965》剧情本身一部欧美综艺的灵魂就是这部剧的情节，如果情节中都存在瑕疵，又怎样引起观众的兴趣。