镜子的另一面:纽波特民歌艺术节1963~1965 已完结

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分类:欧美综艺 美国 0

导演:Murray  Lerner   

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剧情介绍

片名:镜子的另一面:纽波特民歌艺术节1963~1965

关键词:镜子的另一面:纽波特民歌艺术节1963~1965免费在线观看

综艺类别:欧美综艺

发行年份:0

首映地区:美国

导演:Murray Lerner

演员:Bob Dylan,Joan Baez,Judy Collins

更新时间:2023-05-19 12:16

《镜子的另一面:纽波特民歌艺术节1963~1965》讲述的是什么故事?

  "Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

《镜子的另一面:纽波特民歌艺术节1963~1965》评价怎么样?

漫漫看电影影评:我其实是想给镜子的另一面:纽波特民歌艺术节1963~19654颗星的,但是稍微回味了一会儿,觉得它不值,还是三星半吧。其实,我一向对美国 欧美综艺非常宽容,甚至可以大言不惭的说,在国内和国际欧美综艺制作水平差距极大的情况下,我就是“双标”——都不在一个起跑线上,根本没法比呀。所以经常出现国外欧美综艺堪堪尚可,我却只给三星及格,对美国 欧美综艺只是稍微拍出了一点点好看,我就会给三星及以上,如果演员演技爆炸或者欧美综艺剧本极佳,我也不会吝啬我的5星,但是如果按照给国外欧美综艺打分的标准,这些美国 欧美综艺可能通通都只能有三四颗星以下。

土豆网影评:镜子的另一面:纽波特民歌艺术节1963~1965剧情很流畅,人物也很丰满,节奏把握的很好,很有年代感。没有过多煽情,每个人物都发挥了作用,细节也很到位。整个欧美综艺三观也很正,Bob Dylan,Joan Baez,Judy Collins感情真挚,总体来说,可以和朋友一起看,推荐!

mtime时光网影评:第一次这么喜欢一部欧美综艺的女主角这个角色 聪明 独立 淡然 很有自己的主见 特别是略微带有的那一点狡黠 真是可爱极了!

番茄影评:男女主角真是清新可爱,看了之后,让我蠢蠢欲动,非常想早恋,可惜已过了早恋的年龄!

《镜子的另一面:纽波特民歌艺术节1963~1965》是哪一年上映的?

《镜子的另一面:纽波特民歌艺术节1963~1965》是Murray Lerner于0年拍摄的一部经典欧美综艺。此片开创美国当代欧美综艺的先河,《镜子的另一面:纽波特民歌艺术节1963~1965》上映时票房稳坐前三,创下当年纪录。当时Bob Dylan,Joan Baez,Judy Collins均为最佳主角,Bob Dylan,Joan Baez,Judy Collins以精彩演技和突出形象,奠定在美国影坛地位。Bob Dylan,Joan Baez,Judy Collins饰演角色造型多年后仍为人所模仿。Murray Lerner之前曾被人怀疑其能力,而《镜子的另一面:纽波特民歌艺术节1963~1965》却奠定Murray Lerner电影风格。《镜子的另一面:纽波特民歌艺术节1963~1965》首映时曾获海外欧美综艺和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指1980年代)好莱坞(好莱坞)优秀欧美综艺齐名。

被称为欧美综艺的开先河之作的《镜子的另一面:纽波特民歌艺术节1963~1965》,是Murray Lerner最好的作品吗?

从Murray Lerner斩获欧美综艺最佳导演 我就觉得这部《镜子的另一面:纽波特民歌艺术节1963~1965》是他最好的综艺。虽然Murray Lerner后来还拍出来了评价特别好的综艺,但是《镜子的另一面:纽波特民歌艺术节1963~1965》是他综艺的代表作品。

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